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“There’s no better honor for a songwriter than to have his songs performed by talented musicians with such love and sincerity. Trouble LyricistCat Stevens Trouble Oh, trouble, set me free I have seen your face And its too much, too much for me Trouble Oh, trouble, cant you see. “It’s great to see and hear these covers of my songs given new life,” Yusuf/Cat Stevens said of CatSong in a statement. Jack Johnson opened the mostly acoustic show with a rendition of “Where Do The Children Play?,” which was followed by the Haim sisters’ “Hard Headed Woman.” Feist tackled the Mona Bone Jakon classic “Trouble,” while Matthews delivered a solo take of Tea for the Tillerman’s “Father and Son.” Jesse Colin Young & Daughter Jazzie Cover Yusuf/Cat Stevenss Trouble to Commemorate the 50th Anniversary of 1971s Harold and Maude. Incubus’ Brandon Boyd, James Morrison, Passenger, Matt Sweeney and Bonnie “Prince” Billy, Sad13, Ron Sexsmith, Imelda May and more also took part in the two-and-a-half hour virtual fest. Unfortunately, for such a confused person, though, most things aren't really nice, and when "the world as it is" isn't driving him to tears ("Peace Train") he often lies about it.Haim, Jack Johnson, Dave Matthews and Feist were among the artists cover Yusuf/ Cat Stevens classics as part of Saturday’s CatSong Festival, a livestream celebrating the 50th anniversary reissues of the singer-songwriter’s 1970 albums Tea for the Tillerman and Mona Bone Jakon. He can be charming about things that really are nice, like dawn, and a few of the many songs he has written about his own confusion have a winning je-ne-sais-quoi. He's unpretentious yet harmonically idiosyncratic, with nice dissonances and a rocking chunka beat. Stevens has more spunk and verve than any other singer-songwriter I dislike. And makes you wonder why a guy who loves trees so much (reference: "King of Trees") designed a double-fold cover with cardboard inner sleeve for this unlovable single LP. In "Music," for example, Cat tells us there wouldn't be any "wars in the world/If everybody joined in the band." This kind of lie is called a tautology it's like saying there wouldn't be any hunger if everyone became an ice cream man. An inspired song that fulfills a fantasy you never knew you had can make you believe in a whole side, while a song that commits some deadly sin can drag innocents to perdition. To suggest a correction to the tab: Correct tabs content with proposed changes.
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NOTE: The sample above is just the first page preview of this item. Licensed to Virtual Sheet Music® by Hal Leonard® publishing company. It seems strange to celebrate the 50th anniversary of an event that almost killed Cat Stevens before he’d even reached his prime.
#CAT STEVENS TROUBLE PDF#
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High-Quality and Interactive, transposable in any key, play along. The difference between an album you love and an album you hate is often one or two cuts. Correction: Cat Stevens - Trouble (chords) Comment. Cat Stevens: Trouble for voice, piano or guitar, intermediate sheet music. Then I browsed in Norman Ault's anthology of Elizabethan lyrics. But when I listened-a widely recommended method for that perception of songs-I noticed affectations like "the naked earth beneath us and the universe above," and winced at the next-to-last couplet, which ends with a weak word for the sake of a weak rhyme. If playback doesnt begin shortly, try restarting your device. Reading the lyric of "The Boy With the Moon and Star on His Head," I was impressed by how unpretentiously it simulated early English poetry. My big problems with this record are no doubt why it's a hit: the artificially ripened singing, which goes down like a store-bought banana daiquiri, and the insufferable sexist condescension of "Wild World." B. Only later did I notice "Lady D'Arbanville" (his girlfriend), "Trouble" (too much for him), and "I Wish, I Wish" (a map of his soul). Buddha and the Chocolate Box C-Īs an admirer of "Matthew and Son" and "I Love My Dog," two rock songs we should have heard more of in 1967, I made Cat my token singer-songwriter when this came out-the melodies were memorable, the dry intimacy of the singing had a nice post-creative-trauma feel, and I liked "Katmandu," which was about the physical (rather than spiritual) geography of a religious quest.